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Monitoring
Loudspeakers
- Available configurations : stereo, quad, 5.1, 7.1 and 8.0 in a "double-diamond" setup
- Paradigm Studio Monitor (3-way, 200W, custom calibrated)
- 8 Mackie HR-624 (2-way, HF 40W, LF 100W)
- Velodyne, F-1500-B (subwoofer 15", 250W, custom calibrated)
- Room EQ: ARC System + Adgil Design via SonicEQ
- AKG, K-260 (headphones)
Amplifiers
- Nikko Alpha-450 (balanced, bridged mono)
- B&W Model 150 (for headphones)

Digital Audio
Converters
- Sonic Studio Model 304 (Firewire interface, AES/EBU, 8 I/O @ 24/96)
- t.c. electronic, Finalizer 96k
Sources
- Mac Pro, 8-core "Nehalem" @ 2.26 GHz
- Ivory, virtual pianos; Miroslav Vitous String Ensembles; Kontakt collection, etc.
- Controler keyboard Keystation Pro 88
- Indexed Sound FX collection (Sound Ideas, BBC, Radio-France, etc.)
Software
- Sonic Studio : soundBlade / 8 channels option
- Steinberg : Nuendo 5.5
- t.c. electronic : PowerCore system / t.c. & Sonnox plugins
- plugins by Flux::, RNDigital, VirSyn, etc.

Analog
- Neumann TLM 193
- audio-technica, AT-4033a (condenser) and AT-813 (dynamic)
- CAD, EQUITEK E-100 (condenser)
- AKG, C451E with CK5 capsule (condenser)
- Sony, ECM-969 (electret stereo)
- Sennheiser, DM-441 (dynamic)
- Beyer, M69 N (C) (dynamic)
- barcus-berry (contact microphones for percussion instruments)
- impulse ! (MIDI controller for barcus-berry mic)
Supporting equipment
- Lavry engineering LE 4496 LavryBlue, microphone preamp
- Adgil Design Diff-Diff
- Pioneer Elite, DV-47Ai, DVD-A / SACD player
- Systemdeck IIX, 33/45 turntable, with NAD 1020A preamp
- Otari DTR-7, DAT (balanced, AES/EBU)
- Studer B62, 1/4"analog tape (rebuilt electronics)
- Nakamichi RX-505, audio tape deck

Console and effects
- Adgil Designs, Director 9800 / 9840 (monitoring manager)
- TAC Bullet 10x4x2
- Klark Teknik DN3600, 31 band programmable graphic EQ
- EXR, Exciter
- Aphex, Aural Exciter type C2
- RSP, Saturator

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