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Monitoring

    Loudspeakers

  • Available configurations : stereo, quad, 5.1, 7.1 and 8.0 in a "double-diamond" setup
  • Paradigm Studio Monitor (3-way, 200W, custom calibrated)
  • 8 Mackie HR-624 (2 voies, HF 40W, LF 100W)
  • Velodyne, F-1500-B (subwoofer 15", 250W, custom calibrated)
  • AKG, K-260 (headphones)

    Amplifiers

  • Nikko Alpha-450 (balanced, bridged mono)
  • B&W Model 150 (for headphones)


Recording

    Converters

  • Nuendo/RME, ADI-8DS (AD-DA, 8 I/O in 24/96)
  • RME, Hammerfall Digiface (PCI card, Firewire interface, AES/EBU, 24/96)
  • t.c. electronic, Finalizer 96k (stereo mastering processor: compressor, expander, multiband limiter; equalizer, de-esser, etc.)

    Media and transfers

  • DVD-R or CD-R data; Audio CD (Taiyo Yuden)
  • Transfer of audio files via dedicated ftp site
  • Otari DTR-7, DAT (balanced, AES/EBU)
  • Studer B62, 1/4"analog tape (rebuilt electronics)
  • Nakamichi RX-505, audio tape deck


Sources

    Samplers and synths

  • MacIntosh G5, dual processor 2 GHz
  • Vienna Symphonic Library, complete package, Pro Edition
  • Ivory 1.05, virtual pianos (Bosendorfer, Steinway, Yamaha)
  • E-MU, e64 with Drum Doctor sound bank, InVision Symphonic Instruments II, Perfect Piano vol.I (Steinway/Kawai), Miroslav Vitous String Ensembles 2.0, etc.
  • Akai, S 950
  • Controler keyboard Keystation Pro 88
  • N.E.D., Synclavier II
  • 14 DAT of 90 mn : sound FX (Sound Ideas, BBC, Radio-France, etc.)

    Microphones

  • audio-technica, AT-4033a (condenser) and AT-813 (dynamic)
  • CAD, EQUITEK E-100 (condenser)
  • AKG, C451E et CK5 (condenser)
  • Sony, ECM-969 (electret stereo)
  • Rhodes, NT1 (condenser)
  • Sennheiser, DM-441 (dynamic)
  • Beyer, M69 N (C) (dynamic)
  • Shure, SM58 (dynamic)
  • barcus-berry (contact microphones for percussion instruments)
  • impulse ! (MIDI controller for barcus-berry mic)

    Supporting equipment

  • Systemdeck IIX, 33/45 turntable, with NAD 1020A preamp
  • Roland, SIP-301 (bass preamp)
  • Marshall, series 900 (guitar preamp)
  • Acoustic, 270 (guitar amp)
  • other (distortion, wah-wah, direct box, etc.)


Console and effects

  • Adgil Designs, Director 9800 / 9840 (monitoring manager)
  • Hill, J series 3 (40 input console, rebuilt electronics for signal-to-noise, distortion, response, etc.)
  • Klark-Teknik, 2 DN780 reverb units, DN3600 and DN332 equalizers
  • EXR, Exciter
  • Aphex, Aural Exciter type C2, Compellor
  • Elison, YSMA 12
  • Valley People, Kepex, Gain Brain
  • Scamp, S01, S21, S25 et F300
  • RSP, Saturator
  • Bi amp, EQ 270
  • Korg, SDD-3000